Model-triangulos, study the body-sculptural idea
When developing the sculptural idea I always assist myself with this wooden pop I call Leo which in fact has become the indispensable Leo.
Due to the complex and frustrating process that is by nature part of the whole creation of this ‘body– sculpture’ I often need to put much time into the learning and understanding of the technical mechanisms and restrictions which appear throughout creating body sculptures and that later on become a part of this sort of body-sculptural work. I need much time; time so it all can function as one sculptural unit when the dancer/mover can explore and move her/him self without too much difficulty.
Finally I just used the process, demonstrating it as a study for another ‘body-sculpture’.
